Meaning of the Sanskrit Word: nrtya

  nṛtya—dancing    Adi 11.35, Adi 13.31, Adi 13.35, Adi 13.38, Adi 13.99, Adi 13.106, Adi 17.4, Adi 17.101, Adi 17.120, Adi 17.136 (and more...)
  nṛtya—the dancing    Madhya 3.120, Madhya 13.178, Madhya 14.231, Antya 10.75
  nṛtya—dance    Adi 11.18, Adi 17.100, Adi 17.119
  nṛtya—by dancing    SB 8.16.57
  nṛtya—dancing.    Adi 10.17
  nṛtya—dance.    Adi 10.37
  nṛtya—of the dancing    Madhya 13.99
  nṛtya kare—dances    Madhya 7.78, Madhya 11.215, Madhya 14.70, Madhya 14.233, Madhya 18.13, Madhya 18.94, Madhya 18.177, Antya 11.63
  nṛtya-gīta—dancing and chanting    Madhya 4.15, Madhya 4.155, Madhya 5.4, Madhya 5.6, Madhya 7.77, Madhya 7.114, Madhya 9.70, Madhya 9.347
  nṛtya-gīta—chanting and dancing    Madhya 1.47, Madhya 1.251, Madhya 7.5, Madhya 10.80, Madhya 11.230, Madhya 14.95
  nṛtya kare—began to dance    Madhya 17.87, Madhya 24.276, Antya 6.102
  nṛtya karena—dances    Madhya 13.43, Madhya 13.44, Antya 10.69
  nṛtya kari—dancing    Madhya 12.144, Madhya 17.159, Antya 19.84
  nityānandera nṛtya—the dancing of Śrī Nityānanda Prabhu    Antya 2.80, Antya 6.104
  nṛtya kare—danced    Madhya 12.149, Antya 10.59
  nṛtya kari—after dancing    Madhya 14.65, Antya 6.106
  nṛtya karite—dancing    Madhya 11.234, Madhya 13.180
  nṛtya-gāna—dancing and chanting    Madhya 8.12, Madhya 17.149
  nṛtya-kīrtana—dancing and chanting    Antya 9.6, Antya 11.12
  nṛtya-kāle—at the time of dancing    Adi 3.46, Adi 10.18
  tomāra nṛtya—Your dancing    Madhya 15.44, Antya 14.115
  agre nṛtya—dancing before the Deity    Madhya 22.122
  aiche nṛtya—such dancing    Madhya 11.96
  bahu nṛtya kari—after dancing a great deal    Madhya 16.50
  beḍā-nṛtya—the dancing surrounding the temple    Madhya 11.224
  divya-nṛtya—transcendental dancing    Antya 19.101
  gandharva-nṛtya—the dance of the Gandharvas    Madhya 20.181
  gāna-nṛtya—singing and dancing    Antya 14.39
  kare nṛtya—dances.    Adi 5.142
  kare nṛtya-raṅga—performed dancing in jubilation    Madhya 15.21
  mahā-nṛtya—great dancing    Madhya 11.235
  nṛtya chāḍi—giving up His dancing    Madhya 13.201
  nṛtya śikhāilā—directed how to dance    Antya 5.22
  nṛtya dekhe—sees the dancing    Madhya 13.91
  nṛtya dekhi—after seeing the dancing    Antya 6.140
  nṛtya kaila—danced    Antya 11.91-93
  nṛtya kare—used to dance    Adi 11.32
  nṛtya kare—was dancing    Adi 17.102
  nṛtya kare—he dances    Madhya 17.158
  nṛtya kari—after performing the dance    Madhya 13.192
  nṛtya karibena—will dance    Madhya 11.54
  nṛtya karibāre—to dance.    Madhya 13.35
  nṛtya karite—to dance    Madhya 12.143
  nṛtya rākhilā—stopped the dancing    Antya 7.77
  nṛtya saṁvarila—suspended His dancing.    Madhya 25.70
  nṛtya ārambhila—began dancing.    Madhya 14.230
  nṛtya-ante—after dancing    Madhya 1.145
  nṛtya-avasāne—at the end of the dancing    Adi 17.243
  nṛtya-śikṣām—dancing practice    Adi 4.125
  nṛtya-śloka—verse uttered during His dancing    Antya 1.73
  nṛtya-gīta—in dancing and chanting    Madhya 8.260
  nṛtya-gīta—dancing and singing    Madhya 9.249
  nṛtya-gīta kailā—danced and chanted    Madhya 18.63
  nṛtya-gīta kailā—chanted and danced.    Madhya 25.232
  nṛtya-gīta kare—performs chanting and dancing    Madhya 15.5
  nṛtya-gīta kari—after performing dancing and chanting    Madhya 4.113
  nṛtya-gīta kari—chanting and dancing    Madhya 18.40
  nṛtya-gīta-hāsa—dancing, music and laughing    Madhya 2.56
  nṛtya-gīta-raṅge—in the matter of chanting and dancing.    Madhya 1.23
  nṛtya-gīta-raṅge—chanting and dancing with great pleasure.    Madhya 15.4
  nṛtya-gīta-ādi-aneka-arhaiḥ—by many varied means of worship, such as dancing and singing    SB 10.13.51
  nṛtya-gīte—in singing and dancing    Antya 5.13
  nṛtya-kāle—while dancing    Madhya 13.162
  nṛtya-madhye—during the dancing    Madhya 1.57
  nṛtya-madhye—in the midst of dancing    Madhya 13.135
  nṛtya-pariśrame—by fatigue due to dancing    Madhya 13.203
  nṛtya-pratīta—appearing like dancing.    Madhya 14.224
  nṛtya-raṅga—amusement in dancing    Madhya 13.179
  nṛtya-raṅge—dancing in great pleasure    Madhya 13.68
  nṛtya-vāditra-gītaiḥ ca—by dancing, playing various musical instruments, and singing songs    SB 8.21.6-7
  nṛtya-āveśe—fully absorbed in seeing the dancing of Śrī Caitanya Mahāprabhu    Madhya 13.94
  pari-muṇḍā-nṛtya—dancing in the dancing hall of Jagannātha's temple    Antya 10.102
  pari-muṇḍā-nṛtya-kathana—the description of dancing in the temple of Jagannātha.    Antya 10.159
  prabhura nṛtya—the dancing of Śrī Caitanya Mahāprabhu    Madhya 25.67
  preme nṛtya—dancing in ecstatic love    Antya 2.19
  pulaka-aśru-nṛtya-gīta—trembling of the body, tears in the eyes, dancing and chanting    Madhya 25.139
  rāsa-nṛtya—of rāsa dancing    Madhya 8.105
  tāṇḍava-nṛtya—jumping and dancing    Madhya 11.225
  tāṇḍava-nṛtya—devastating dancing    Madhya 13.111
  tāṇḍava-nṛtya chāḍi—giving up such devastating dancing    Madhya 13.112
  uddaṇḍa nṛtya—jumping high and dancing    Madhya 12.141
  vādya-nṛtya—music and dance    Adi 13.96

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