Meaning of the Sanskrit Word: nrtya

  nrtya—dancing    Adi 11.35, Adi 13.31, Adi 13.35, Adi 13.38, Adi 13.99, Adi 13.106, Adi 17.4, Adi 17.101, Adi 17.120, Adi 17.136 (and more...)
  nrtya—the dancing    Madhya 3.120, Madhya 13.178, Madhya 14.231, Antya 10.75
  nrtya—dance    Adi 11.18, Adi 17.100, Adi 17.119
  nrtya—by dancing    SB 8.16.57
  nrtya—dancing.    Adi 10.17
  nrtya—dance.    Adi 10.37
  nrtya—of the dancing    Madhya 13.99
  nrtya kare—dances    Madhya 7.78, Madhya 11.215, Madhya 14.70, Madhya 14.233, Madhya 18.13, Madhya 18.94, Madhya 18.177, Antya 11.63
  nrtya-gita—dancing and chanting    Madhya 4.15, Madhya 4.155, Madhya 5.4, Madhya 5.6, Madhya 7.77, Madhya 7.114, Madhya 9.70, Madhya 9.347
  nrtya-gita—chanting and dancing    Madhya 1.47, Madhya 1.251, Madhya 7.5, Madhya 10.80, Madhya 11.230, Madhya 14.95
  nrtya kare—began to dance    Madhya 17.87, Madhya 24.276, Antya 6.102
  nrtya karena—dances    Madhya 13.43, Madhya 13.44, Antya 10.69
  nrtya kari—dancing    Madhya 12.144, Madhya 17.159, Antya 19.84
  nityanandera nrtya—the dancing of Sri Nityananda Prabhu    Antya 2.80, Antya 6.104
  nrtya kare—danced    Madhya 12.149, Antya 10.59
  nrtya kari—after dancing    Madhya 14.65, Antya 6.106
  nrtya karite—dancing    Madhya 11.234, Madhya 13.180
  nrtya-gana—dancing and chanting    Madhya 8.12, Madhya 17.149
  nrtya-kirtana—dancing and chanting    Antya 9.6, Antya 11.12
  nrtya-kale—at the time of dancing    Adi 3.46, Adi 10.18
  tomara nrtya—Your dancing    Madhya 15.44, Antya 14.115
  agre nrtya—dancing before the Deity    Madhya 22.122
  aiche nrtya—such dancing    Madhya 11.96
  bahu nrtya kari—after dancing a great deal    Madhya 16.50
  beda-nrtya—the dancing surrounding the temple    Madhya 11.224
  divya-nrtya—transcendental dancing    Antya 19.101
  gandharva-nrtya—the dance of the Gandharvas    Madhya 20.181
  gana-nrtya—singing and dancing    Antya 14.39
  kare nrtya—dances.    Adi 5.142
  kare nrtya-ranga—performed dancing in jubilation    Madhya 15.21
  maha-nrtya—great dancing    Madhya 11.235
  nrtya chadi—giving up His dancing    Madhya 13.201
  nrtya sikhaila—directed how to dance    Antya 5.22
  nrtya dekhe—sees the dancing    Madhya 13.91
  nrtya dekhi—after seeing the dancing    Antya 6.140
  nrtya kaila—danced    Antya 11.91-93
  nrtya kare—used to dance    Adi 11.32
  nrtya kare—was dancing    Adi 17.102
  nrtya kare—he dances    Madhya 17.158
  nrtya kari—after performing the dance    Madhya 13.192
  nrtya karibena—will dance    Madhya 11.54
  nrtya karibare—to dance.    Madhya 13.35
  nrtya karite—to dance    Madhya 12.143
  nrtya rakhila—stopped the dancing    Antya 7.77
  nrtya samvarila—suspended His dancing.    Madhya 25.70
  nrtya arambhila—began dancing.    Madhya 14.230
  nrtya-ante—after dancing    Madhya 1.145
  nrtya-avasane—at the end of the dancing    Adi 17.243
  nrtya-siksam—dancing practice    Adi 4.125
  nrtya-sloka—verse uttered during His dancing    Antya 1.73
  nrtya-gita—in dancing and chanting    Madhya 8.260
  nrtya-gita—dancing and singing    Madhya 9.249
  nrtya-gita kaila—danced and chanted    Madhya 18.63
  nrtya-gita kaila—chanted and danced.    Madhya 25.232
  nrtya-gita kare—performs chanting and dancing    Madhya 15.5
  nrtya-gita kari—after performing dancing and chanting    Madhya 4.113
  nrtya-gita kari—chanting and dancing    Madhya 18.40
  nrtya-gita-hasa—dancing, music and laughing    Madhya 2.56
  nrtya-gita-range—in the matter of chanting and dancing.    Madhya 1.23
  nrtya-gita-range—chanting and dancing with great pleasure.    Madhya 15.4
  nrtya-gita-adi-aneka-arhaih—by many varied means of worship, such as dancing and singing    SB 10.13.51
  nrtya-gite—in singing and dancing    Antya 5.13
  nrtya-kale—while dancing    Madhya 13.162
  nrtya-madhye—during the dancing    Madhya 1.57
  nrtya-madhye—in the midst of dancing    Madhya 13.135
  nrtya-parisrame—by fatigue due to dancing    Madhya 13.203
  nrtya-pratita—appearing like dancing.    Madhya 14.224
  nrtya-ranga—amusement in dancing    Madhya 13.179
  nrtya-range—dancing in great pleasure    Madhya 13.68
  nrtya-vaditra-gitaih ca—by dancing, playing various musical instruments, and singing songs    SB 8.21.6-7
  nrtya-avese—fully absorbed in seeing the dancing of Sri Caitanya Mahaprabhu    Madhya 13.94
  pari-munda-nrtya—dancing in the dancing hall of Jagannatha's temple    Antya 10.102
  pari-munda-nrtya-kathana—the description of dancing in the temple of Jagannatha.    Antya 10.159
  prabhura nrtya—the dancing of Sri Caitanya Mahaprabhu    Madhya 25.67
  preme nrtya—dancing in ecstatic love    Antya 2.19
  pulaka-asru-nrtya-gita—trembling of the body, tears in the eyes, dancing and chanting    Madhya 25.139
  rasa-nrtya—of rasa dancing    Madhya 8.105
  tandava-nrtya—jumping and dancing    Madhya 11.225
  tandava-nrtya—devastating dancing    Madhya 13.111
  tandava-nrtya chadi—giving up such devastating dancing    Madhya 13.112
  uddanda nrtya—jumping high and dancing    Madhya 12.141
  vadya-nrtya—music and dance    Adi 13.96

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